2008
《舞若色》
Natasha Rogai, 【南華早報】, 2008年6月17日
「香港芭蕾舞團演繹《白色組曲》，技巧精湛且舞出里法獨有的風格，是次演出充份展示舞團優厚的實力。」
「節目的精彩壓軸是巴蘭欽的《紅寶石》。 此作品可說是巴蘭欽風格的典範。港芭舞者以靈巧俐落的舞步解構複雜迥異的編舞，展示出愉快而充滿熱忱的朝氣。」
「幾位主角梁菲、布雷特、金瑶及艾沙克大衛‧卡拉斯演繹的《丁香園》，流露豐富情感，令人為之動容。」
《柴可夫斯基與芭蕾經典》
Natasha Rogai, 【南華早報】, 2008年4月1日
This is a well-constructed programme featuring Balanchine's classic Theme and Variations and The Way Alone, a new work commissioned from Stephen Baynes, resident choreographer of the Australian Ballet...
2007
《芭蕾引力》
Natasha Rogai, 【南華早報】, 2007年11月13日
Hong Kong Ballet has gone out on a limb with its new triple bill, Momentum. Two works – one classical, one modern, and both notorious for their technical difficulty – plus a new piece choreographed by one of the company's dancers. Happily, the risk has paid off and the programme shows the troupe well on the way to artistic director John Meehan's goal of making them a world class company...
《仙履奇緣》
Kevin Ng, ballet.co.uk, 2007年9月
The Hong Kong Ballet has become a far more interesting company to follow since John Meehan took office as the artistic director over a year ago. The repertory is more diverse than before. There are now plans to stage Balanchine's Rubies next year after the company's successful premiere of the the master's two other masterpieces - Theme and Variations and Tchaikovsky pas de deux - last season...
《風流寡婦》
Natasha Rogai, ballet.co.uk, 2007年5月
Created in 1975, Ronald Hynd's The Merry Widow has been performed by new fewer than 12 different companies around the world, and it is easy to see why it has stood the test of time. With its vividly-drawn characters, well-crafted, musical choreography, gorgeous designs and irresistible score, this is truly that rare and wondrous thing – a classic 3 act ballet...
《風流寡婦》舞評
劉玉華, 大公報, 2007年6月1日
《羅密歐與茱麗葉》
Kevin Ng, Financial Times, 2007年3月26日
After its successful premiere of the Balanchine programme last autumn, Hong Kong Ballet's second premiere this season under director John Meehan showed the company's increasing strength as a dramatic ensemble....