Adult & Youth Programmes

Born in Zhejiang, China, Shen Jie trained at Zhejiang Vocational Academy of Art, Guangzhou Dance School and The Hong Kong Academy for Performing Arts. He joined Hong Kong Ballet in 2007, was named Soloist in 2013 and became Principal Dancer in 2016. In 2022, he was appointed HKB’s Arts Education and Cultural Ambassador.

With HKB, Shen has danced numerous principal and featured roles, including Albrecht in Septime Webre and Charla Genn’s Giselle, Fritz in both Stephen Jefferies’ and Terence Kohler’s The Nutcracker, as well as Prince and Chinese Doll in the latter version, Blue Bird in Cynthia Harvey’s The Sleeping Beauty, Basilio in Nina Ananiashvili’s Don Quixote, Ali and Birbanto in Anna-Marie Holmes' Le Corsaire, Romeo and Mercutio in Rudi van Dantzig’s Romeo and Juliet, Romeo and Little Mak in Webre’s Romeo + Juliet, Franz in Ronald Hynd’s Coppélia, Camille in Hynd’s The Merry Widow and Pinocchio in Pär Isberg’s Pinocchio.

He has also danced Gustave in Val Caniparoli’s Lady of the Camellias, White Rabbit and Joker in Webre’s ALICE (in wonderland), Peter Pan and Noodler in Webre’s Peter Pan, George Wilson and Nick Carraway in Webre’s The Great Gatsby, Pao Yu in Wang Xin Peng’s The Dream of the Red Chamber, Young Uncle Tak in Yuri Ng’s Firecracker, Young Emperor and Frog Prince in Ng’s The Frog Prince–A Ballet Chinois, Jester in Natalia Conus’ Swan Lake Act III and lead roles in George Balanchine’s Jewels.

He was also featured in John Meehan’s Swan Lake, Jiří Kylián's Petite Mort and Sechs Tänze, Nacho Duato’s Castrati, Christopher Wheeldon’s Rush, Alexei Ratmansky’s Le Carnaval des Animaux, Jorma Elo’s Shape of Glow, Wayne McGregor’s Chroma, Edwaard Liang’s Sacred Thread, Trey McIntyre’s A Day in the Life, Justin Peck’s Year of the Rabbit, Annabelle Lopez Ochoa's Sombrerisimo, Fei Bo’s Shenren Chang, Justyne Li and Wong Tan-ki’s Galatea & Pygmalion and Hu Song Wei Ricky’s Between the Emotion and the Response, among others.

Shen won Outstanding Performance by a Male Dancer at the 2016 and 2019 Hong Kong Dance Awards. Additionally, he was nominated for the prestigious Prix Benois de la Danse for his role of Pao Yu in Wang Xin Peng’s The Dream of the Red Chamber in 2014.

Born in Nueva Ecija, Philippines, Garry Corpuz trained at Philippine High School for the Arts and then De La Salle–College of Saint Benilde on full scholarship. After dancing with Ballet Philippines in 2011, he joined Hong Kong Ballet as a Corps de Ballet member in 2017, became Coryphée in 2018 and was named Soloist in 2020.

With HKB, Corpuz has danced the featured roles of Von Rothbart in John Meehan’s Swan Lake, Rat King, Egyptian Doll and Russian Doll in Terence Kohler’s The Nutracker, Espada and Don Quixote in Nina Ananiashvili’s Don Quixote, Lankendem in Anna-Marie Holmes’ Le Corsaire, Romeo and Romeo’s Sifu in Septime Webre’s Romeo + Juliet, King of Hearts and Cheshire Cat in Webre’s ALICE (in wonderland), Captain Hook and Gentleman Starkey in Webre’s Peter Pan, Tom Buchanan in Webre’s The Great Gatsby and lead roles in George Balanchine’s Jewels.

He also performed in Septime Webre and Charla Genn’s Giselle, Webre’s Ballet Classics for Children: Cinderella, Christopher Wheeldon’s Rush, Alexei Ratmansky’s Le Carnaval des Animaux, Trey McIntyre’s A Day in the Life, Justin Peck’s Year of the Rabbit, Septime’s Second Movement, Stephen Shropshire’s Handelwerk and Yuh Egami and Hu Song Wei Ricky’s The Rite of Spring, among others.

A former coryphée of Hong Kong Ballet who has performed numerous lead roles, Irene Lo has been working closely with HKB for over a decade. Currently, she is the Associate Director of Training for HKB’s Classical Ballet Training Programme and the part-time faculty member at The Hong Kong Academy for Performing Arts (HKAPA). In 2022, she obtained her Master of Fine Arts in Dance with distinction at HKAPA with a full scholarship from the Hong Kong Jockey Club Music and Dance Fund.

During 2021-2023, Lo was a Rehearsal Mistress for the children who danced in HKB’s Peter Pan, Cinderella, ALICE (in wonderland) and The Nutcracker. In 2018, she was a project coordinator for Scottish Ballet’s Hansel & Gretel. As a certified yoga and aerial yoga instructor, Lo also teaches ballet and yoga at City Contemporary Dance Company and Hong Kong Dance Company. In the past decade, she has been a guest teacher in Cape Town, Johannesburg, Malaysia, Indonesia and Macau.

Her choreographic work includes the TV ad of a Cheung Kong/ Sun Hung Kai Property Grand Jeté, Hello Hong Kong with Hong Kong Tourism Board featuring celebrities Aaron Kwok, Kelly Chan and Sammi Cheng, True Light College’s 150^th anniversary musical and Three As One Theatre’s drama No Name.

Lo’s accolades include ‘Most Promising Dancer’ from Friends of Hong Kong Ballet and ‘Outstanding Performance of the Year’ from Hong Kong Dance Alliance. Additionally, Lo was Chief Executive Manager of the Asian Grand Prix (AGP) in 2013-2015 and served as a jury member in the Manila, Malaysia, AGP, Canaan International Competitions and Dance World Cup.

Lynn Liang was a former member of the Corps de Ballet of Hong Kong Ballet. She received her training at Shenzhen Arts School and The Hong Kong Academy for Performing Arts, where she earned a full scholarship. She became a ballet teacher since 2019 and currently serves as a faculty teacher of Hong Kong Academy of Ballet, in addition to being a certified Classical Pilaties instructor. This year, she was accredited as an Affiliate Teacher through The Royal Ballet School’s Affiliate Training And Assessment Programme.

Over the course of her training, Liang has won several awards, including silver prizes in the Junior Group at the Asian Grand Prix in 2011 and at the Japan International Tsukuba Ballet Competition in 2010. She also won third prize in performance and the Excellent Performance Prize at Taoli Cup Dance Competition in 2009.

Born in Hong Kong, China, Leung Chunlong graduated from Beijing Dance Academy in 2009 and from The Hong Kong Academy for Performing Arts in 2011 with a concentration in Ballet. He joined Hong Kong Ballet as a Corps de Ballet member the same year and was named Coryphée in 2014. He was appointed Artist-in-Residence (Choreography) in 2025.

With HKB, Leung has danced principal and featured roles, including Fritz and Rat King in Terence Kohler’s The Nutcracker, Jewels in Cynthia Harvey’s The Sleeping Beauty, Tai Po and Tall Guy in Septime Webre’s Romeo + Juliet, Pinocchio in Pär Isberg’s Pinocchio, Gaston in Val Caniparoli's Lady of the Camellias, White Rabbit, Tweedle Dee & Tweedle Dum and Fish in Webre’s ALICE (in wonderland) and Nick Carraway in Webre’s The Great Gatsby.

He has also performed in John Meehan's Swan Lake, Anna-Marie Holmes’ Le Corsaire, Nina Ananiashvili’s Don Quixote, Ronald Hynd's Coppélia, Natalie Weir’s Turandot, Webre’s Ballet Classics for Children: Cinderella and George Balanchine’s Jewels and Serenade.

He has also danced in Jiří Kylián's Petite Mort, Nacho Duato’s Castrati, Alexei Ratmansky’s Le Carnaval des Animaux, Jorma Elo's Shape of Glow, Edwaard Liang’s Sacred Thread, Annabelle Lopez Ochoa's Sombrerismo, Stephen Shropshire’s Handelwerk, Fei Bo’s Shenren Chang and Nguyen Ngoc Anh’s Beyond The Line (excerpts).

His choreographic works include tʃHey (2016), L’espoir (2017), [I] (2018) and Wayfaring (2019). Leung received an Outstanding Performance Award at the 2003 Taoli Cup Dance Competition.

Dong Ruixue graduated from Beijing Dance Academy and was a member of The National Ballet of China in 2006. She joined Hong Kong Ballet as a Corps de Ballet member in 2011 and was named Soloist in 2014. After she left the company, she became a ballet teacher in 2021. Currently, she is a faculty member of Hong Kong Ballet's Classical Ballet Training Programme.

With HKB, Dong has danced principal and featured roles, including Juliet in Rudi van Dantzig’s Romeo and Juliet, Ballerina and Clara in Terence Kohler’s The Nutcracker, Dai Yu in Wang Xin Peng’s The Dream of Red Chamber, Princess Florine in Cynthia Harvey’s The Sleeping Beauty, Cinderella in Yuri Ng’s Ballet Classics for Children: Cinderella, Peasant Pas de Deux in John Meehan and Lin Mei-fang’s Giselle, Valencienne in Ronald Hynd’s The Merry Widow, Natalia Makarova’s Swan Lake, John Cranko’s Onegin, George Balanchine’s Jewels and Serenade, Wang Xixian’s The Red Detachment of Women, Zhang Yimou’s Raise the Red Lantern choreographed by Wang Xin Peng.