罗密欧+茱丽叶
港芭巡演│成都
罗密欧+茱丽叶
2026年9月11 - 12日

缔造香港六十年代史诗式爱情经典

轰轰烈烈的初恋,被势不两立的家族世仇阻挠,莎士比亚笔下一对悲剧恋人的故事,数百年来仍然广为传颂。在卫承天精心改编下,故事发生在1960年代的香港!茱丽叶摇身一变成为上​​海大亨之女,受父母之命要下嫁外籍富豪,却早已恋上父亲死对头的独子罗密欧。

演出时间

2026年9月11 - 12日

成都高新中演大剧院大剧场

日期

人民币:680、580、480、380、280、180

门票

节目全长约 2 小时 15 分钟 ,包括一节中场休息

宣传影片

节目介绍

泼洒的舞蹈、奢华的长衫、峰回路转的情节、原著的经典场面,演活莎翁隽永的爱情神剧。卫承天匠心独运,将港式功夫完美融入舞步,连场厮杀在20世纪中的东方街道上演,动荡世情配合浦罗哥菲夫戏剧性的音乐,看得观众拍案叫绝!

 

《罗密欧+茱丽叶》于2023年巡演美国纽约及北卡罗来纳,以及于2025年巡演首尔,两次海外巡演皆获观众及艺评人一致好评,一票难求。

 

今个暑假,港芭将舞剧带到北京、成都演出,延续好评!

关于《罗密欧+茱丽叶》


创作团队

卫承天
卫承天 艺术总监
浦罗哥菲夫
浦罗哥菲夫 音乐
谭嘉仪
谭嘉仪 服装设计
陈志权
陈志权 布景设计
勞正然
勞正然 助理布景设计
邱雅玉
邱雅玉 灯光设计 (根据陈焯华原创灯光设计)
甄拔涛
甄拔涛 剧场指导
M•A•C Cosmetics
M•A•C Cosmetics 化妆设计
赵式庆
赵式庆 武术顾问
中華國術總會
中華國術總會 武术伙伴
显示更多

Romeo + Juliet Backstory

Backstory

Hong Kong in the 1960s

1960s Hong Kong can be viewed as a watershed in the development of the city. At that time, Hong Kong was still a British colony. Manufacturing continued expanding, and the economic boom made Hong Kong one of four Asian tigers, along with Singapore, Taiwan and South Korea.

Cityscape of 1960s Hong Kong

In the early 1960s, three million people lived in Hong Kong, with half the population under the age of 25. Like many parts of the world, this generation is known as the baby boomers after WWII. Simultaneously, refugees from mainland China continued emigrating to Hong Kong, especially after the Cultural Revolution in the mid-1960s. This wave of emigration had started in 1949 when Civil War in China caused businesses and tycoons to relocate from Shanghai to Hong Kong.

Vibrant Street Scenes

Interestingly, the street scene was vibrant in the 1960s. For instance, some martial art masters came to Shanghai Street in Kowloon (a peninsula in Hong Kong) to run bone-setting clinics or dojos (martial arts schools). The masters sifu were well-rounded – they knew martial arts, bone-setting and Chinese medicine.

The streets were energetic with people from various walks of life. Hawkers sold street food and daily necessities, street performers blended circus craft, martial arts, comedy and Cantonese opera, builders used bamboo as scaffolding for construction. If someone passed away, people held the coffin and walked around the deceased’s neighbourhood. Mahjong games were popular as well.

Mahjong Game Under Neon Lights

1960s Hong Kong cinema was still greatly influenced by Chinese films, including Taiwan films, and the industry had its first cultural icons in Connie Chan Po Chu. TVB, the first free on-air TV station, was established in 1967.

Filming at the Street

While most citizens enjoyed and struggled in their lives, the upper class led a very different life. The political and economic elites had parties and balls at their luxurious mansions. Most of the elites were white men, mixed with Chinese tycoons, who lived on Hong Kong island. At parties, there were not only formal western dresses but also beautiful traditional cheungsams. The gala dinner in this production was inspired by the famous Jumbo Floating Restaurant, which tragically (and suspiciously) sunk in 2022.

Elegant Cheongsams

Jumbo Floating Restaurant and the Ballroom Scene in Romeo + Juliet

Hong Kong was once viewed as a ‘borrowed place’ in a ‘borrowed time’. Nevertheless, it is now widely agreed that Hong Kong’s identity emerged after the 1960s, especially after the 1967 riots. Locals started to treat Hong Kong as their home. We may even say it is the beginning of the stories of Hong Kong for the next 50 years.

Written by Pat To Yan

Set Design

Set designer Ricky Chan created incredibly authentic scenes to bring 1960s Hong Kong to life. From using ubiquitous signs and distinct bamboo scaffolding to loud Chinese restaurants and bustling markets, Ricky shares about how he re-created everything for the stage.

Costume Design

Paying homage to 1960s Hong Kong, costume designer Mandy Tam mixed East and West with elegant cheongsams alongside stylish leather jackets and used bold patterns and intense colours to reflect the characters in Romeo + Juliet.

Kung Fu

In a rare encounter between kungfu and ballet, martial arts advocate Hing Chao and International Guoshu Association kungfu masters extensively trained our dancers in intense martial arts combat and collaborated with Septime Webre to choreograph the production’s spine-tingling martial arts fight scenes.


演出场次


2026年9月11日 - 9月12日 成都高新中演大剧院大剧场 演出时间

星期五

9月11日

下午 7:30

星期六

9月12日

下午 2:30

星期六

9月12日

下午 7:30


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