{"id":14592,"date":"2026-07-17T03:46:19","date_gmt":"2026-07-17T03:46:19","guid":{"rendered":"https:\/\/www.hkballet2.websitedevsystem.com\/team\/mike-yip\/"},"modified":"2026-08-06T07:56:32","modified_gmt":"2026-08-06T07:56:32","slug":"mike-yip","status":"publish","type":"team","link":"https:\/\/www.hkballet.com\/zh-hans\/team\/mike-yip\/","title":{"rendered":"Mike Yip*"},"content":{"rendered":"<p style=\"text-align:justify\">Mike Yip is a composer, improviser and experimentalist whose work is characterized by a cross-boundary approach to cultures, traditions and genres, as well as experimentation in new performance practice and improvisation. His recent research focused on the potential use of electric guitar in concerts and on combining electric instruments, Western traditional instruments, ethnic instruments and signal-processing technology in music compositions.<\/p>\n<p style=\"text-align:justify\">Yip studied jazz guitar with renowned guitarist Eugene Pao and completed postgraduate studies in composition under Professor Chan Hing Yan\u2019s supervision. He is currently a member of contemporary jazz group Mo-Men-T and an Ensemble Associate of the Hong Kong New Music Ensemble.<\/p>\n","protected":false},"template":"","team-type":[],"class_list":["post-14592","team","type-team","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hkballet.com\/zh-hans\/wp-json\/wp\/v2\/team\/14592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hkballet.com\/zh-hans\/wp-json\/wp\/v2\/team"}],"about":[{"href":"https:\/\/www.hkballet.com\/zh-hans\/wp-json\/wp\/v2\/types\/team"}],"wp:attachment":[{"href":"https:\/\/www.hkballet.com\/zh-hans\/wp-json\/wp\/v2\/media?parent=14592"}],"wp:term":[{"taxonomy":"team-type","embeddable":true,"href":"https:\/\/www.hkballet.com\/zh-hans\/wp-json\/wp\/v2\/team-type?post=14592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}